{"id":2078,"date":"2019-02-16T14:30:09","date_gmt":"2019-02-16T13:30:09","guid":{"rendered":"http:\/\/kartografieobcosci.uw.edu.pl\/?p=2078"},"modified":"2019-02-16T14:39:52","modified_gmt":"2019-02-16T13:39:52","slug":"nabor-tekstow-do-nowego-numeru-feminist-review-cfp-for-a-themed-issue-on-sonic-cyberfeminisms","status":"publish","type":"post","link":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/2019\/02\/16\/nabor-tekstow-do-nowego-numeru-feminist-review-cfp-for-a-themed-issue-on-sonic-cyberfeminisms\/","title":{"rendered":"Nab\u00f3r tekst\u00f3w do nowego numeru Feminist Review o Cyberfeminizmie\/\/ CFP for a new themed issue on \u2018Sonic Cyberfeminisms\u2019"},"content":{"rendered":"

Kiedy: deadline 15 lipca 2019 roku<\/strong><\/p>\n

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Wi\u0119cej w j\u0119zyku angielskim.<\/p>\n

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Feminist Review<\/em> is calling for articles and Open Space pieces for a themed issue on \u2018Sonic Cyberfeminisms\u2019. The submission deadline is 15 July 2019.<\/a><\/strong><\/p>\n

In recent years, debates around sound, gender and technology have increasingly gained attention, whilst the number of artist networks, archives and educational initiatives established in the hope of tackling gendered exclusions from the technocentric fields of electronic music, audio production and sound arts has expanded. Many of these initiatives overlap with some of the concerns and ideals of cyberfeminism, understood as a disparate and amorphous set of events and debates that emerged in the early-to-mid 1990s and explored the possibilities and challenges of technology, computing and Cyberspace for feminist praxis.<\/p>\n

This themed issue of Feminist Review <\/em>aims to address in what ways \u2018the sonic\u2019 and cyberfeminism can be used in combination to productively understand and develop feminist thinking and practices. Taking into account a plurality of current agendas, methods, perspectives and priorities, this themed issue aims to critically reflect on which disparities are revealed and which \u2018feminist\u2019 agendas are being pursued when issues around sound, gender and technology are considered more broadly. Different anxieties, challenges and potentials permeate the contemporary condition compared to the 1990s, and the gendered relations that left \u2018cyberfeminism\u2019 to be characterised as \u2018postfeminist\u2019 have since transformed in distinct ways. This has included rethinking the racial politics of sound, gender and technology.<\/p>\n

For this issue of Feminist Review<\/em>, we seek articles and Open Space contributions that address the theme of \u2018sonic cyberfeminisms\u2019. The issue aims to engage with a range of topics, many of which are absent in the contemporary surge in interest in sound, gender and technology.<\/p>\n

Submissions might explore but would not be limited to:<\/p>\n