{"id":1459,"date":"2017-11-20T02:48:22","date_gmt":"2017-11-20T01:48:22","guid":{"rendered":"http:\/\/kartografieobcosci.uw.edu.pl\/?p=1459"},"modified":"2017-11-20T03:28:29","modified_gmt":"2017-11-20T02:28:29","slug":"zoepolis-dizajn-dla-roslin-i-zwierzat-zoepolis-design-for-plants-and-animals","status":"publish","type":"post","link":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/2017\/11\/20\/zoepolis-dizajn-dla-roslin-i-zwierzat-zoepolis-design-for-plants-and-animals\/","title":{"rendered":"ZOEpolis. Dizajn dla ro\u015blin i zwierz\u0105t \/ ZOEpolis. Design for plants and animals"},"content":{"rendered":"

ZOEpolis. Dizajn dla ro\u015blin i zwierz\u0105t
\n17.11.2017-14.01.2018, Galeria Dizajn BWA Wroc\u0142aw<\/strong><\/h1>\n

Projektowanie zorientowane na cz\u0142owieka (human-centred design) to jedno z\u00a0najpopularniejszych hase\u0142 ostatnich lat w\u015br\u00f3d projektant\u00f3w i\u00a0firm. Jednak je\u015bli si\u0119 nad tym zastanowimy, oka\u017ce si\u0119, \u017ce dizajn zawsze by\u0142 nastawiony na cz\u0142owieka, a\u00a0\u2013 przynajmniej w\u00a0kulturze zachodniej \u2013 homo sapiens stanowi\u0142 miar\u0119 wszelkich rzeczy, co \u015bwietnie ilustruje s\u0142ynny rysunek witruwia\u0144skiego m\u0119\u017cczyzny stworzony przez Leonarda da Vinci. Co by si\u0119 sta\u0142o gdyby\u015bmy zakwestionowali to has\u0142o? Czy mo\u017cemy w\u00a0og\u00f3le pomy\u015ble\u0107 o\u00a0projektowaniu, kt\u00f3rego podmiotami byliby nie-ludzie: ro\u015bliny i\u00a0zwierz\u0119ta? W\u00a0jaki spos\u00f3b taki dizajn by\u0142by w\u00a0stanie przebudowa\u0107 istniej\u0105ce relacje mi\u0119dzy ludzkimi a\u00a0nie-ludzkimi zwierz\u0119tami oraz innymi \u017cyj\u0105cymi organizmami?<\/p>\n

\"\"<\/a>Celem wystawy Zoepolis. Dizajn dla ro\u015blin i\u00a0zwierz\u0105t jest zastanowienie si\u0119 nad mo\u017cliwo\u015bci\u0105 stworzenia wsp\u00f3lnoty ludzko-nie-ludzkiej, kt\u00f3ra by\u0142aby mediowana za pomoc\u0105 przedmiot\u00f3w materialnych. Kuratorki wystawy, Monika Rosi\u0144ska i\u00a0Agata Szyd\u0142owska, b\u0119d\u0105 poszukiwa\u0142y rozwi\u0105za\u0144, kt\u00f3re traktuj\u0105 zwierz\u0119ta i\u00a0ro\u015bliny jako pe\u0142noprawne podmioty proces\u00f3w projektowych, z\u00a0uwzgl\u0119dnieniem ich potrzeb i\u00a0praw. Jednocze\u015bnie z\u00a0krajobrazu nie znika cz\u0142owiek, kt\u00f3ry \u2013 str\u0105cony z\u00a0piedesta\u0142u uprzywilejowanego gatunku \u2013 wchodzi w\u00a0skomplikowane, oparte zar\u00f3wno na kohabitacji, jak i\u00a0konkurencji, relacje z\u00a0innymi zwierz\u0119tami oraz organizmami \u017cywymi. St\u0105d tytu\u0142owe nawi\u0105zanie do koncepcji \u201ezoopolis\u201d Sue Donaldson i\u00a0Willa Kymlicki, kt\u00f3ra uwzgl\u0119dnia nadanie zwierz\u0119tom obywatelstwa. W\u00a0tytule wystawy \u201ezoo\u201d jest jednak zast\u0105pione przez \u201ezoe\u201d, \u201enagie \u017cycie\u201d, witalno\u015b\u0107, kt\u00f3ra jest wsp\u00f3lna wszystkim \u017cyj\u0105cym stworzeniom. Tym samym wystawa b\u0119dzie stara\u0142a si\u0119 spojrze\u0107 na projektowanie z\u00a0radykalnej perspektywy nieantropocentrycznej.<\/p>\n

G\u0142\u00f3wn\u0105 cz\u0119\u015b\u0107 wystawy b\u0119d\u0105 stanowi\u0142y prace zrealizowane we wsp\u00f3\u0142pracy z\u00a0zaproszonymi projektantami i\u00a0artystami, kt\u00f3re w\u00a0spos\u00f3b krytyczny interpretuj\u0105 wybrane zagadnienia, takie jak hierarchia gatunk\u00f3w, zwierz\u0119ta towarzysz\u0105ce, czy (nie)ludzka skala w\u00a0architekturze i\u00a0urbanistyce. Integraln\u0105 cz\u0119\u015bci\u0105 projektu b\u0119dzie publikacja, kt\u00f3ra uka\u017ce si\u0119 w\u00a02018 roku.<\/p>\n

Wystawa wsp\u00f3\u0142finansowana jest w\u00a0ramach programu Ministra Nauki i\u00a0Szkolnictwa Wy\u017cszego pod nazw\u0105 \u201eNarodowy Program Rozwoju Humanistyki\u201d w\u00a0latach 2016-2019. Jest ona cz\u0119\u015bci\u0105 projektu pod tytu\u0142em \u201eKartografie obco\u015bci, inno\u015bci i\u00a0w(y)kluczenia. Perspektywa filozofii i\u00a0sztuki wsp\u00f3\u0142czesnej\u201d (kierowniczka: dr hab. Magdalena \u015aroda, Wydzia\u0142 Filozofii i\u00a0Socjologii UW).<\/p>\n

Uczestniczki i\u00a0uczestnicy:<\/strong> Fontarte, Ma\u0142gorzata Gurowska, Karolina Kotowska i\u00a0\u0141ukasz Kowalski, Kwiaciarnia Grafiki, Bartosz Mucha, Nenukko, Alicja Patanowska, Maciej Siuda, Micha\u0142 Szota<\/p>\n

Kuratorki:<\/strong> Monika Rosi\u0144ska, Agata Szyd\u0142owska<\/p>\n

Projektantki ekspozycji:<\/strong> Pigalopus \/\u00a0Malwina Borowiec, Karolina Chodur<\/p>\n

identyfikacja wizualna:<\/strong> Ma\u0142gorzata Gurowska<\/p>\n

 <\/p>\n

ZOEpolis. Design for plants and animals
\n<\/strong><\/h1>\n

17.11.2017-14.01.2018,\u00a0<\/strong>Dizajn BWA Wroc\u0142aw Gallery<\/strong><\/h1>\n

\u00a0<\/strong><\/h1>\n

Human-centered design is one of the most popular slogans among designers and companies in recent years. But if we look closer, it turns out that design was always focused on mankind, and at least in Western culture homo sapiens used to be considered a\u00a0measure of all things \u2013 a\u00a0perfect example of such approach could be the famous drawing of a\u00a0Vitruvian man created by Leonardo da Vinci. What would happen if we challenged this concept? Can we even think of design whose subjects would be non-humans: plants and animals? How could such an approach rebuild the existing relationships between human and non-human animals as well as other living organisms?<\/p>\n

The purpose of the Zoepolis. Design for Plants and Animals exhibition is to consider the possibility of creating a\u00a0human-non-human community that would be mediated through material objects. The curators of the exhibition, Monika Rosi\u0144ska and Agata Szyd\u0142owska, will look for solutions that treat animals and plants as full-fledged project processors, taking into account their needs and rights. At the same time, they do not forget about man, who \u2013 precipitated from the pedestal of a\u00a0privileged species \u2013 enters into a\u00a0complex, co-habitable and competitive relationship with other animals and living organisms. The title refers to the concept of zoopolis by Sue Donaldson and Willa Kymlicki which includes granting animals citizenship. However, in the title of the exhibition, the word zoo has been replaced by zoe, which means bare life, vitality, in other words, something that is common to all living creatures. Thus, the exhibition will try to look at design from a\u00a0radical non-anthropocentric perspective.<\/p>\n

The main part of the exhibition will be focused on the project completed in cooperation with invited designers and artists who are critical in interpreting selected issues such as the species hierarchy, companion animals, or the human scale in architecture and urban planning. An integral part of the project will be the accompanying publication that is going to be released in 2018.<\/p>\n

The exhibition is co-financed by the Minister of Science and Higher Education under the National Programme for the Development of the Humanities in the years 2016-2019. It is a\u00a0part of a\u00a0project entitled The Cartographapies of Alienness, Differences, and Exclusion. The Perspective of Philosophy and Contemporary Art (supervisor: Magdalena \u015aroda, Ph.D., Faculty of Philosophy and Sociology, University of Warsaw).<\/p>\n

Curators:<\/strong> Monika Rosi\u0144ska, Agata Szyd\u0142owska<\/p>\n

Exhibiton design:<\/strong> Pigalopus \/\u00a0Malwina Borowiec, Karolina Chodur
\nVisual identification:<\/strong> Ma\u0142gorzata Gurowska
\nParticipants:<\/strong> Fontarte, Ma\u0142gorzata Gurowska, Karolina Kotowska and \u0141ukasz Kowalski, Kwiaciarnia Grafiki, Bartosz Mucha, Nenukko, Alicja Patanowska, Maciej Siuda, Micha\u0142 Szota<\/p>\n","protected":false},"excerpt":{"rendered":"

ZOEpolis. Dizajn dla ro\u015blin i zwierz\u0105t 17.11.2017-14.01.2018, Galeria Dizajn BWA Wroc\u0142aw Projektowanie zorientowane na cz\u0142owieka (human-centred design) to jedno z\u00a0najpopularniejszych hase\u0142 ostatnich lat w\u015br\u00f3d projektant\u00f3w i\u00a0firm. Jednak je\u015bli si\u0119 nad tym zastanowimy, oka\u017ce si\u0119, \u017ce dizajn zawsze by\u0142 nastawiony na cz\u0142owieka, a\u00a0\u2013 przynajmniej w\u00a0kulturze zachodniej \u2013 homo sapiens stanowi\u0142 miar\u0119 wszelkich rzeczy, co \u015bwietnie ilustruje…<\/p>\n","protected":false},"author":4,"featured_media":1458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":["post-1459","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci","category-44","description-off"],"_links":{"self":[{"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/posts\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":7,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/posts\/1459\/revisions"}],"predecessor-version":[{"id":1478,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/posts\/1459\/revisions\/1478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media\/1458"}],"wp:attachment":[{"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=1459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/categories?post=1459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kartografieobcosci.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/tags?post=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}